Events Calendar

Open Thursdays, year-round 
Market Hours: 8:00 a.m. - 4:00 p.m.
Compost Program Hours: 8:00 a.m. - 11:00 a.m.
This location also open Saturdays. ​

Cash, SNAP/EBT, Debit/Credit, Healthfirst OTC Plus and Humana Healthy Options insurance members (select plans), WIC & Senior FMNP coupons, and Greenmarket Bucks accepted. Spend $2 in SNAP/EBT/P-EBT, get bonus $2 Health Buck, up to $10 per day.

Help us spread the word about this market! Share our market flyer to your networks over email or social media. 
English JPG & PDF  I  Español JPG & PDF 

Greenmarket's gateway to the Upper West Side, the Tucker Square Greenmarket, offers locally grown produce just across the street from Lincoln Center. Seasonal vegetables range from fresh staples like corn and greens to delicacies like squash blossoms and fairtytale eggplant. Orchards boast sweet berries, stone fruit, and over 80 varieties of apples. Knowledgeable growers are at market to explain just how to care for their plants, flowers, and herb pots indoors and out.  Impeccable farmstead cheeses, fresh seafood, grass fed beef, duck and duck charcuterie, eggs, artisanal baked goods, and New York’'s only producer of both sorghum and maple syrup round out the offerings.  

$5 Studio Fees for Students on Thursdays (normally $15!)
High School or College ID required
Book your table online!

Highlighting thirty years of artmaking dedicated to the Black experience in America, Sonya Clark: We Are Each Other is the first comprehensive survey of the communal art-making projects that form the heart of the artist’s pioneering creative practice. Accompanied by a selection of Clark’s photographs, prints, and sculpture, the exhibition will feature five of Clark’s large-scale, collaborative projects, including her barrier-breaking The Hair Craft Project (2014) and the ongoing performance, Unraveling.

Working with a wide range of emotionally resonant materials and everyday objects—from cotton cloth and human hair to school desks and bricks— Clark encourages audiences to confront through material transformation the country’s historical imbalances and racial injustices. At the same time, Clark celebrates the complexities of the Black cultural experience. The uses of traditional craft materials, her applied knowledge of global craft techniques, and the communal collaborations that are integral to the integrity of Clark's art are among the many ways Clark represents and honors the legacies of the African diaspora in Black life.

Image: Naoko Wowsugi

From 1954–1970, the studio of Friedman-Abeles photographed the majority of the plays and musicals on Broadway. Although their black and white images are familiar to fans and historians, the studio also photographed many shows in color, and the Library for the Performing Arts received them as color slides. The cost of reproducing these images in the pre-digital era meant that, aside from a few selections in record album liner notes or on magazine covers, these photographs have never been seen before. Over the last three years the Library has digitized all of the negatives for dozens of shows along with most of the color slides in the collection. These images are showcased in a unique way in this exhibition. 

Image: Friedman-Abeles

Highlighting thirty years of artmaking dedicated to the Black experience in America, Sonya Clark: We Are Each Other is the first comprehensive survey of the communal art-making projects that form the heart of the artist’s pioneering creative practice. Accompanied by a selection of Clark’s photographs, prints, and sculpture, the exhibition will feature five of Clark’s large-scale, collaborative projects, including her barrier-breaking The Hair Craft Project (2014) and the ongoing performance, Unraveling.

Working with a wide range of emotionally resonant materials and everyday objects—from cotton cloth and human hair to school desks and bricks— Clark encourages audiences to confront through material transformation the country’s historical imbalances and racial injustices. At the same time, Clark celebrates the complexities of the Black cultural experience. The uses of traditional craft materials, her applied knowledge of global craft techniques, and the communal collaborations that are integral to the integrity of Clark's art are among the many ways Clark represents and honors the legacies of the African diaspora in Black life.

Image: Naoko Wowsugi

From 1954–1970, the studio of Friedman-Abeles photographed the majority of the plays and musicals on Broadway. Although their black and white images are familiar to fans and historians, the studio also photographed many shows in color, and the Library for the Performing Arts received them as color slides. The cost of reproducing these images in the pre-digital era meant that, aside from a few selections in record album liner notes or on magazine covers, these photographs have never been seen before. Over the last three years the Library has digitized all of the negatives for dozens of shows along with most of the color slides in the collection. These images are showcased in a unique way in this exhibition. 

Image: Friedman-Abeles

Open Saturdays, year-round
Market Hours: 8:00 a.m. - 4:00 p.m.
This location also open Thursdays.
Compost Program: Tucker Square Greenmarket Thursdays Only (Thursdays, 8:00 a.m. - 11:00 a.m.)​

Cash, SNAP/EBT, Debit/Credit, Healthfirst OTC Plus and Humana Healthy Options insurance members (select plans), WIC & Senior FMNP coupons, and Greenmarket Bucks accepted. Spend $2 in SNAP/EBT/P-EBT, get bonus $2 Health Buck, up to $10 per day.

Help us spread the word about this market! Share our market flyer to your networks over email or social media. 
English JPG & PDF  I  Español JPG & PDF

Greenmarket's gateway to the Upper West Side, the Tucker Square Greenmarket, offers locally grown produce just across the street from Lincoln Center. Seasonal vegetables range from fresh staples like corn and greens to delicacies like squash blossoms and fairtytale eggplant. Orchards boast sweet berries, stone fruit, and over 80 varieties of apples. Knowledgeable growers are at market to explain just how to care for their plants, flowers, and herb pots indoors and out.  Impeccable farmstead cheeses, fresh seafood, grass fed beef, eggs, artisanal baked goods, and New York's only producer of both sorghum and maple syrup round out the offerings.

Highlighting thirty years of artmaking dedicated to the Black experience in America, Sonya Clark: We Are Each Other is the first comprehensive survey of the communal art-making projects that form the heart of the artist’s pioneering creative practice. Accompanied by a selection of Clark’s photographs, prints, and sculpture, the exhibition will feature five of Clark’s large-scale, collaborative projects, including her barrier-breaking The Hair Craft Project (2014) and the ongoing performance, Unraveling.

Working with a wide range of emotionally resonant materials and everyday objects—from cotton cloth and human hair to school desks and bricks— Clark encourages audiences to confront through material transformation the country’s historical imbalances and racial injustices. At the same time, Clark celebrates the complexities of the Black cultural experience. The uses of traditional craft materials, her applied knowledge of global craft techniques, and the communal collaborations that are integral to the integrity of Clark's art are among the many ways Clark represents and honors the legacies of the African diaspora in Black life.

Image: Naoko Wowsugi

From 1954–1970, the studio of Friedman-Abeles photographed the majority of the plays and musicals on Broadway. Although their black and white images are familiar to fans and historians, the studio also photographed many shows in color, and the Library for the Performing Arts received them as color slides. The cost of reproducing these images in the pre-digital era meant that, aside from a few selections in record album liner notes or on magazine covers, these photographs have never been seen before. Over the last three years the Library has digitized all of the negatives for dozens of shows along with most of the color slides in the collection. These images are showcased in a unique way in this exhibition. 

Image: Friedman-Abeles

Highlighting thirty years of artmaking dedicated to the Black experience in America, Sonya Clark: We Are Each Other is the first comprehensive survey of the communal art-making projects that form the heart of the artist’s pioneering creative practice. Accompanied by a selection of Clark’s photographs, prints, and sculpture, the exhibition will feature five of Clark’s large-scale, collaborative projects, including her barrier-breaking The Hair Craft Project (2014) and the ongoing performance, Unraveling.

Working with a wide range of emotionally resonant materials and everyday objects—from cotton cloth and human hair to school desks and bricks— Clark encourages audiences to confront through material transformation the country’s historical imbalances and racial injustices. At the same time, Clark celebrates the complexities of the Black cultural experience. The uses of traditional craft materials, her applied knowledge of global craft techniques, and the communal collaborations that are integral to the integrity of Clark's art are among the many ways Clark represents and honors the legacies of the African diaspora in Black life.

Image: Naoko Wowsugi

Improve balance, posture, and flexibility as you coordinate simple movement sequences with breath. This class will leave you feeling relaxed and energized.

Led by Siewli Stark, Certified Mind-Body Specialist

From 1954–1970, the studio of Friedman-Abeles photographed the majority of the plays and musicals on Broadway. Although their black and white images are familiar to fans and historians, the studio also photographed many shows in color, and the Library for the Performing Arts received them as color slides. The cost of reproducing these images in the pre-digital era meant that, aside from a few selections in record album liner notes or on magazine covers, these photographs have never been seen before. Over the last three years the Library has digitized all of the negatives for dozens of shows along with most of the color slides in the collection. These images are showcased in a unique way in this exhibition. 

Image: Friedman-Abeles